Art Critique

Choreographies of Tension and Release Kate Vorona’s paintings present the body as a vessel for…

Bodies at the Edge of Recognition John Sillince occupies a compelling position within contemporary British…

Gestures of Emotion and the Language of Color Petro Hrytsiuk’s paintings stand at the intersection…

Garments, Traces, and the Architecture of Absence A dress without a wearer can become more…

Matter Before Representation Devid Biscontini’s work arrests the viewer through a contradiction: industrial plastic, one…

Geometry in Motion: Structure, Instinct, and Scale Inês Gato has developed an abstract language in…

Faces Formed by Feeling Patricia Graham’s contemporary acrylic paintings are driven by a compelling reversal…

Color as Event, Surface as Memory The first impression of Nada Kelemen’s submitted paintings is…

From Landscape Memory to an Abstract Syntax Aria Artis has developed a visual language in…

Thresholds of the Familiar Made Strange Robert Ram’s paintings immediately command attention through their ability…