aatonau Skip to main content

Credit of all images: VG Bildkunst, Joas Nebe

“Water used to be and it will always be more overcharged with meaning beside its practical meaning for nature itself. So talking about water makes us talking about ourselves.”

Bridging Arts and Disciplines: A Genesis of Thoughtful Creation

In the dynamic realms of the early 1990s, Joas Nebe found himself engrossed in the rich tapestry where literature, media, and art coalesce, fervently exploring these domains at the University of Hamburg. Here, Nebe pursued studies in literature and media science, the latter being a distinct offshoot of the literature faculty, weaving his academic endeavors with an intrinsic passion for the arts. Simultaneously, the artist became adept at various classical fine art forms by attending a private art school, delving deeply into the nuances of painting, drawing, and printing, thereby layering his creations with technical mastery and profound thematic depth.

The impact of his scholastic explorations in psychology and literature was conspicuous, etching significant imprints on Nebe’s creations. Particularly, his attraction towards the power and magnetism of words found a prominent expression in his work, having observed their multifaceted expressions not only in literature but also in the pervasive political propaganda that colored the Cold War era. Nebe developed a contemplative distance from ideology, scrutinizing its proclivity to disseminate cliches of reality and inadvertently label individuals according to varying demographic markers and ideational frameworks.

Joas Nebe: From Analog Expression to Digital Explorations

In the confluence of the 1990s technological metamorphosis, Nebe witnessed a pivotal transition from analog arts to the digital medium, allowing his artistic expression to be notably influenced by burgeoning advancements in information technology. The emerging universe of the internet, the advent of hypertexts as novel methods of navigating verbal information, and the shift in video equipment from cassette tapes to DVDs informed and enriched his creative practice. Embracing these technological shifts, Nebe incorporated the innovative progress into his oeuvre, focusing his energies on non-narrative films that served as mediums through which he could investigate issues pertaining to the authority and manipulation of words and images, and the subsequent impact on society and individuals.

Amidst this transformative journey, the city of Hamburg, renowned not only for its notorious port but also for the lively, entertainment-rich area known as “the Reeperbahn,” offered a pulsating canvas against which Nebe’s early works were crafted. His explorations spilled onto vast canvases of rough burlap—recycled from utilized coffee bags—imbued with figures symbolizing a myriad of individuals encountered in the city’s dynamic streets. The sprawling thematic expanse of his work, ranging from urban architecture to communication ideologies, reveals Nebe’s understanding of these motifs as distinctive languages through which people communicate. His prime focus on the utilization of language, both politically charged and devoid of it, coupled with an appreciation for the inherent gap between intent and the tool’s limitations, seeks to demonstrate the perpetual scope for interpretation in communication, reflecting a critical viewpoint towards ideology and political theory.

Crafting Creativity: A Glimpse into Nebe’s Sanctum and Artistic Influences

Nestled south of Freiburg, near Basel and the French border, Joas Nebe’s workspace is an 18th-century barn, transmuted into a lush cradle for his eclectic artistry. Spanning approximately 180m2 and thoughtfully segmented into three levels, this creative sanctum envelops diverse working stations, ranging from studios purposed for reproduction photography and video shooting to a print studio harboring an antiquated etching press. Nebe’s devotion to the craft is evident in his meticulous arrangement of spaces, each illuminated according to its function, facilitating a sophisticated ballet of light, shade, and movement that becomes indispensable in nourishing his creativity.

The artist’s journey, meandering through varied mediums and themes, is deeply imbued with an array of influences, both cinematic and literary, that have intricately shaped his work. Cinematic luminaries, such as Apichatpong Weerasethakul and Abbas Kiarostami, together with literary maestros like James Joyce and Jorge Luis Borges, have bestowed upon Nebe a rich palette of narrative and imaginative forms to draw upon. While the initial chapters of his career were penned with a distinctive narrative style, his evolving interest leaned into non-narrative art, esteeming the abstraction inherent in the communication process as a pivotal element both in his artistic preferences and creations.

Joas Nebe, Nature’s Narratives and Technological Explorations: A Dive into Art Series and Future Endeavours

The “Puddle And Ponds” and “Atlantis” series poignantly underscore Nebe’s deep-seated engagement with nature’s communicative facets, particularly his focus on the transformative potential of water in our climatically precarious era. Through these series, the artist seeks to explore and visually narrate the metamorphic journey of water from a nurturing life source to a potentially destructive force, illuminating the glaring concerns related to climate change and its ensuing impacts on our environmental and societal fabrics. The captured visual stories, featuring melting glaciers and confronting harsh weather extremes, burgeon in significance against the backdrop of our escalating climate crisis.

Nebe’s choice of medium invariably intertwines with the themes he explores, offering a synergistic union between message and method. For instance, the collage technique in the “Into The Void” series artfully narrates physical and metaphorical erasures during the Stalinist era, whilst the Chimera series deploys AI-generated images to navigate through the realms of stereotypes and artificial creativity in AI applications. Looking forward, Nebe, captivated by the prospects of the Metaverse, aspires to carve immersive 3D environments that allow audiences to not only engage but also interact and mold the artworks akin to a virtual gameplay experience. It’s the perpetual uncertainty and potential for evolution in his projects that form the core of Nebe’s creative pursuits, rendering each journey into the artistic unknown both exhilarating and refreshingly unpredictable.

Leave a Reply

Close Menu

About AATONAU!

542-0085 Osaka
Chuo Ward, Shinsaibashisuji
1 Chome−4−10
Japan

hello@aatonau.com