“I saw more than just a deserted site—I saw a witness of the past, a frozen memory.”
Between Absence and Architecture
In a world increasingly drawn to immediacy, Dimitri Bourriau—known artistically as Jahz Design—has carved a distinctive space for himself by embracing stillness, decay, and memory. A French photographer originating from Nantes, Bourriau transitioned from graphic design to photography in 2013, redirecting his visual sensibility toward abandoned structures and forgotten heritage sites across the globe. His work, a fusion of documentation and artistry, transforms these neglected places into profound visual narratives. Each photograph he produces is not just a study in composition, but a reflective observation of impermanence and human passage.
Bourriau’s journey began not within the confines of a studio, but within the skeletal remains of a military ship graveyard. It was there, amidst rusting hulls and the hush of history, that his vision crystallized. What appeared to be ruins to others became, for him, frozen fragments of memory—quiet witnesses of a once-vital past. From that pivotal encounter, he launched into a global expedition, capturing derelict theaters, deserted hangars, and collapsing monuments. Through these locations, he investigates the intersection of architecture and memory, crafting work that balances the historical with the emotive.
His photographic style is deeply rooted in documentary intention, yet elevated through an artistic gaze that refuses to sensationalize. With each image, Bourriau seeks to convey the intimate dignity of decay. Central themes—memory, transformation, and impermanence—recur like quiet refrains throughout his body of work. His photographs are not merely visual records; they are contemplative spaces that confront the viewer with the slow erosion of time. Whether photographing a Soviet shuttle or a forgotten Parisian theater, he honors what has been left behind with both precision and empathy.
Dimitri Bourriau: Aesthetic Testimony of Forgotten Worlds
What sets Bourriau apart is his rare ability to distill the emotional core of abandonment. His photographs resist nostalgia, yet they resonate with a deep emotional charge, inviting viewers to contemplate what societies preserve—and what they discard. The power of his work lies in its restraint: there is no embellishment, no overt dramatization. Instead, each composition is deliberate, drawn from his foundation in graphic design. This background enables him to orchestrate balance, contrast, and negative space with a sensitivity that heightens the narrative potency of every image.
Among the various influences that shape his visual identity are architecture, archival research, and the aesthetics of modern ruins. Bourriau does not seek mere spectacle; his gaze is archaeological, probing the layers of silence embedded in forgotten buildings. By combining the structure of design with the instinct of a documentarian, he creates images that honor the architectural intelligence of the past while underscoring its vulnerability. In this tension between structure and fragility, he finds his voice—quiet, consistent, and deeply resonant.
One of his most evocative projects, and one he holds especially dear, focuses on Baikonur and the abandoned remains of the Soviet Buran space program. The stark enormity of silent hangars and derelict shuttles stands in poignant contrast to the ambition they once represented. For Bourriau, Baikonur epitomizes the vanishing point between dream and disillusionment. Through this series, he masterfully conveys how human aspiration, once monumental, can dissolve into stillness. This work encapsulates his mission: to document what is left when time recedes and to give voice to places the world no longer sees.
Structures as Studio, Silence as Partner
Bourriau’s creative process is rooted in immersion rather than preparation. His workspace spans continents—it is every neglected theater, every derelict factory, every overgrown corridor he encounters. With only a camera, patience, and an acute sensitivity to detail, he enters these locations not as a conqueror, but as a respectful observer. The solitude of exploration is essential to his method, allowing him to engage deeply with the environment and wait for the right light, the perfect angle, or the unseen story. This solitary engagement fosters a heightened awareness, helping him uncover visual metaphors within architectural collapse.
Back in post-production, his quiet concentration continues. Working in calm, distraction-free environments, he begins the delicate task of refining each image—not to dramatize, but to enhance the atmosphere already present. His editing philosophy respects the integrity of the site; color tones, contrast, and shadows are adjusted only to amplify the emotion that existed at the moment of capture. It is a continuation of his fieldwork, one that transforms the sensory impressions of exploration into cohesive visual narratives.
Distractions hold little sway over his process. The commitment he brings to each project transcends the ordinary demands of work—it is a focused mission to protect the memory of neglected spaces. Bourriau’s belief in the emotional significance of these sites keeps him anchored. Whether alone in a collapsed theater or in a silent Soviet launch facility, his dedication remains constant: to uncover, through photography, the eloquence of absence.
Dimitri Bourriau: Visions Yet to Materialize
While his photographic archive already spans vast geographies and countless sites, Bourriau continues to envision projects that push the boundaries of how we engage with abandoned spaces. One dream project in development is a book compiling his most haunting and elegant images of deserted theaters. These venues, once alive with collective experience and performance, now stand as hollow shells of grandeur. The book aims to pair these photographs with archival records, historical context, and narrative essays—creating a comprehensive artifact that documents not just the image, but the soul of these forgotten stages.
Parallel to the publication, he also imagines a full-scale immersive exhibition designed to transport audiences into the atmospheric depths of these abandoned locations. By blending sound design, ambient projection, and curated storytelling, Bourriau wants viewers to experience not only the visual dimension but also the emotional temperature of each place. He seeks to reconstruct that initial sense of discovery—the chill of entering a space long untouched, the tension between reverence and curiosity.
Currently, he is immersed in a new book project centered on the most exquisite yet often overlooked theaters in Paris. With the city’s long history of architectural and cultural innovation, this endeavor offers fertile ground for his lens. Through this work, Bourriau continues to explore how cultural memory is held—and sometimes forgotten—within walls. His ambition remains clear: to ensure these places are not just remembered, but profoundly felt, their silence translated into lasting visual expression.
